Marie Carmen Koppel church concerts 2020

A show with Denmark's driving gospel and soul diva

is an encounter past the standard

In the course of recent years, Marie Carmen Koppel has developed an enormous and faithful show crowd. With her huge voice, she fills chapels, settings and social focuses the nation over with power, nerve and musicality at a worldwide level.

Marie Carmen Koppel has built up an exceptional coordinated effort and kinship with the piano player Steen Rasmussen, and it very well may be both heard and felt in front of an audience, where their melodic and uncommon transaction is particularly entwined with a comfortable and clever tone and contact with the crowd. Marie Carmen Koppel's collection goes from old and new gospel and soul melodies to her own tunes from the exceptionally acclaimed collection "Mend My Wounded Heart" (2014) and the most recent collection "Actually" (2017), which contains Marie's own tunes and tunes by others i.a. Paul Simon, Bob Marley and Whitney Houston.

An old dream worked out for Marie Carmen Koppel in 2010 with the Christmas collection "A Merry Little Christmas", which contains old American Christmas works of art in new delightful courses of action, among others. "Quiet Night" and "White Christmas". With a bit of gospel and her extraordinary vocal quality, it has become an excellent Christmas collection that she loves to sing at her congregation shows during the sweet Christmas season.

Marie for the most part cherishes church shows, as she puts it: "The congregation room accommodates my voice and my melodies consummately. There is room and space for my voice and a lovely environment that gives the spirit harmony. "

After an impact of a Christmas show with the Aalborg Symphony Orchestra, the commentator wrote in Nordjyske Stiftstidende: so with the extra, which was her own sympathy in the melodies and verses. To that degree, Koppel has satisfied the dark American gospel custom, so she can draw straightforwardly on its profound society roots and add to the gospel tune its exceptional power and profundity of feeling. "

Gaffa's commentator Morten Buschmann composed this awesome audit a few years back after a jazz celebration show on the Lawn with Tivoli's Big Band:

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